Our House is a high energy ska-pop musical now playing at The Tivoli Theatre. Image - Courtesy of Attic Theatre
If you are not all that into Madness (like I was) you might be unsure what you’re in for when walking into The Tivoli to see Our House. The adaptation by Tim Firth, which won an Olivier Award for Best Musical back in 2003, has since been a strong fan favourite but what can you expect if you aren’t familiar with the story?
More often than not, I will happily show up to a play blissfully unaware of the plot simply because I love the theatre – been hooked ever since my first trip to see The Singing Kettle when I was four! One thing that must be known about this play, however – in my opinion – is that you must know about the play. I went in totally blind and, come interval, my brain was doing the Macarena trying to follow the plot line. That was until my friend and I had a quick read off the synopsis and it all clicked into place. This is why it’s useful to do your research..!
For those like me not in the know, Our House is a high-energy, heart-thumping, ska-pumping rollercoaster ride through love, luck, and life's big “what ifs,” all set to the iconic music of British pop band Madness (including beloved hits like "It Must Be Love", "Baggy Trousers", and of course, "Our House").
Image - Courtesy of Attic Theatre
As the audience settles in, a lively medley of Madness’ greatest hits fills the theatre, instantly setting the tone and getting everyone in the mood for the feel-good chaos to come.
The story – portrayed by the Attic Theatre cast – opens with a glimpse into a once-peaceful life as we meet a young Joe Casey’s parents — depicted by Suzie Hughes and Darren Jalland — just as they discover they’re expecting. Fast-forward 16 years to Joe’s milestone birthday, and that’s where the real action begins.
Joe Casey – played by Noah Griffin – is your not-so-average Camden lad who, on the night of his 16th birthday, makes one impulsive decision that splits his world in two. One path leads to honesty, responsibility, and a chance with his true love Sarah – played by Sally Stewart. The other? A life of crime, chaos, and a whole heap of trouble!
The story slides between these two parallel universes, showing how one split-second choice can change the trajectory of your whole life.
Image - Courtesy of Attic Theatre
Packed with nutty characters, cheeky charm, and bucketloads of British soul, Our House is a feel-good, foot-stomping tribute to growing up, finding your place, and choosing the right path – even if you take the scenic route to get there.
Griffin was a natural on stage. His seamless portrayal of two contrasting versions of the same character, each pulled in different directions, was nothing short of impressive. He captured the emotional complexity – the inner conflict and quiet heartbreak – while maintaining the character’s vibrant energy and love for Sarah with real finesse. I wish Griffin the very best of luck studying at the Royal Birmingham Conservatoire in September.
Stewart delivered a goosebump-inducing rendition of NW5. Her pure, delicate vocals added a tender layer to a spirited and vibrant character. Her performance brought both charm and heart – a true standout moment from a star in the making.
Having started performing with Attic Theatre at the teeny age of six, Hughes brought a wealth of stage experience to the role of Joe’s mother, embodying the quintessential doting mum with grace and gravitas. Her portrayal was rich with emotion – torn between hope for her son’s future and longing for the quiet life they once knew. From her first entrance to her final scene, she had the audience in the palm of her hand.
Joe’s Dad – played by Darren Jalland – may no longer be alive, but he plays a key role as Joe’s moral compass. Jalland played the conflicted character to a T, gently steering Joe toward doing what’s right, offering wisdom, warmth, and the occasional ghostly nudge. Though Jalland’s stage time is limited, his impact is lasting.
Chemistry and energy are two words I would use to sum up the show and Angie, Billie, Lewis and Emmo – played by Abbie Menzies, Robyn Smith, Ryan Garrett and Ryan Williamson respectively – had this is bucket loads. They were hilariously entertaining and gripping from start to finish. The chemistry between the four was infectious and their comedic timing was razor-sharp. Smith’s hilarious subtle gibes at Garrett and Williamson had me giggling in my seat throughout the show.
Megan Cruickshank brought a fierce edge to the role of Reecey, embracing the character’s rebellious streak with confidence and charisma – I wrote in my notes ‘main girl energy’ and she brought it. Her stage presence was undeniable, and she more than held her own in high-energy numbers like Baggy Trousers and Embarrassment, putting a bold personal stamp on the role.
Completing the main cast was Janice Ingram, who depicted the character of Ms Pressman with steely conviction. As the sharp-suited villain of the story, the property developer has a silver tongue and not-so-sparkly moral compass. Ingram portrayed the character’s ambition well and balanced it with manipulation and a self-serving agenda. Not a woman to be messed with.
Image - Courtesy of Attic Theatre
The ensemble delivered each number with precision and infectious energy — not a beat missed! Roy MacQueen’s choreography was slick and full of flair, while Craig McDermott’s musical direction brought a richness and polish that wouldn’t be out of place on the West End. A top-tier creative combo for sure!
I left the theatre last night a newly converted Madness fan and completely won over by every single performer on that stage. In his directorial debut with Attic Theatre, Ross Robertson was done proud by a dynamic cast and a production team who pulled out all the stops to deliver a show that was as heartwarming as it was high-energy.
The talent that poured out of the cast, from the leads to ensemble to the musicians, was incredible and I had a truly brilliant night (after learning a much-needed lesson about pre-planning). Thanks Attic Theatre for a great show!
Our House is at The Tivoli Theatre until Saturday 5th July. You can find more information and tickets here.
Reviewed by Kate Kenyon